The Day the ’60s Died chronicles May 1970, the month in which four students were shot dead at Kent State. The mayhem that followed has been called the most divisive moment in American history since the Civil War. From college campuses, to the jungles of Cambodia, to the Nixon White House, the film takes us back into that turbulent spring 45 years ago.
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Questions of race, identity and heritage are explored through the lives of young American women growing up as adoptees from China. These four distinct individuals reflect on their experiences as members of transracial families.
Follow a beloved Andy Warhol Brillo Box sculpture as it makes its way from a family’s living room to a record-breaking Christie’s auction, blending personal narrative with pop culture, and exploring how we navigate the ephemeral nature of art and value.
On the heels of The New York Times’ breaking news story revealing new information about President Trump’s financial history, David Barstow, Russell Buettner and Susanne Craig expose the untold story of how Donald Trump became rich.
Paul F. Tompkins tells tales of haunting one’s own house, disastrous attempts at pretend fatherhood, carrying a learner’s permit to kill, and marrying a woman who used a fine-print loophole to breach a castle.
Long before Green Day and Blink 182 inflicted punk-rock’s puncture wound on the map of mainstream music, the Descendents were at home concocting the perfect mix of pop, angst, love, and coffee. FILMAGE: The Story of DESCENDENTS/ALL follows drummer/square-peg Bill Stevenson and his ‘caffeinated retardedness’ as he pushes his rotating door of bandmates to ‘achieve ALL,’ his philosophy of going for greatness at all costs. Stevenson is a force to be reckoned with–not even grapefruit-sized brain tumors can keep him down.
When NATO troops withdrew from Afghanistan, the Afghan National Army (ANA) took over control of Helmand Province, an extremely dangerous region where attacks by Taliban fighters are the order of the day. Security, much less peace, would seem to be unattainable; it is even difficult to find a common language in a country where everyone mistrusts each other. The directors of this film accompanied an ANA company during a year of frontline duty in Helmand. The soldiers are paid irregularly, there are not enough supplies and their equipment is substandard. They cannot fight a war with the equipment left behind by the ISAF.
This exploration of Japan’s fascination with girl bands and their music follows an aspiring pop singer and her fans, delving into the cultural obsession with young female sexuality and the growing disconnect between men and women in hypermodern societies.